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The Amazing Adventures of Kavalier & Clay: A Novel, by Michael Chabon
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With this brilliant novel, the bestselling author of The Mysteries of Pittsburgh and Wonder Boys gives us an exhilarating triumph of language and invention, a stunning novel in which the tragicomic adventures of a couple of boy geniuses reveal much about what happened to America in the middle of the twentieth century. Like Phillip Roth's American Pastoral or Don DeLillo's Underworld, Michael Chabon's The Amazing Adventures of Kavalier & Clay is a superb novel with epic sweep, spanning continents and eras, a masterwork by one of America's finest writers.
��������It is New York City in 1939. Joe Kavalier, a young artist who has also been trained in the art of Houdini-esque escape, has just pulled off his greatest feat to date: smuggling himself out of Nazi-occupied Prague. He is looking to make big money, fast, so that he can bring his family to freedom. His cousin, Brooklyn's own Sammy Clay, is looking for a collaborator to create the heroes, stories, and art for the latest novelty to hit the American dreamscape: the comic book. Out of their fantasies, fears, and dreams, Joe and Sammy weave the legend of that unforgettable champion the Escapist. And inspired by the beautiful and elusive Rosa Saks, a woman who will be linked to both men by powerful ties of desire, love, and shame, they create the otherworldly mistress of the night, Luna Moth. As the shadow of Hitler falls across Europe and the world, the Golden Age of comic books has begun.
��������The brilliant writing that has led critics to compare Michael Chabon to John Cheever and Vladimir Nabokov is everywhere apparent in The Amazing Adventures of Kavalier & Clay. Chabon writes "like a magical spider, effortlessly spinning out elaborate webs of words that ensnare the reader," wrote Michiko Kakutani of The New York Times about Wonder Boys—and here he has created, in Joe Kavalier, a hero for the century.
- Sales Rank: #82559 in Books
- Brand: Brand: Random House
- Published on: 2000-09-19
- Released on: 2000-09-19
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 9.49" h x 1.40" w x 6.65" l,
- Binding: Hardcover
- 639 pages
Features
- Great product!
- Note: Collectible edition published by Easton Press
Amazon.com Review
Like the comic books that animate and inspire it, The Amazing Adventures of Kavalier & Clay is both larger than life and of it too. Complete with golems and magic and miraculous escapes and evil nemeses and even hand-to-hand Antarctic battle, it pursues the most important questions of love and war, dreams and art, across pages brimming with longing and hope. Samuel Klayman--self-described little man, city boy, and Jew--first meets Josef Kavalier when his mother shoves him aside in his own bed, telling him to make room for their cousin, a refugee from Nazi-occupied Prague. It's the beginning, however unlikely, of a beautiful friendship. In short order, Sam's talent for pulp plotting meets Joe's faultless, academy-trained line, and a comic-book superhero is born. A sort of lantern-jawed equalizer clad in dark blue long underwear, the Escapist "roams the globe, performing amazing feats and coming to the aid of those who languish in tyranny's chains!" Before they know it, Kavalier and Clay (as Sam Klayman has come to be known) find themselves at the epicenter of comics' golden age.
But Joe Kavalier is driven by motives far more complex than your average hack. In fact, his first act as a comic-book artist is to deal Hitler a very literal blow. (The cover of the first issue shows the Escapist delivering "an immortal haymaker" onto the F�hrer's realistically bloody jaw.) In subsequent years, the Escapist and his superhero allies take on the evil Iron Chain and their leader Attila Haxoff--their battles drawn with an intensity that grows more disturbing as Joe's efforts to rescue his family fail. He's fighting their war with brush and ink, Joe thinks, and the idea sustains him long enough to meet the beautiful Rosa Saks, a surrealist artist and surprisingly retrograde muse. But when even that fiction fails him, Joe performs an escape of his own, leaving Rosa and Sammy to pick up the pieces in some increasingly wrong-headed ways.
More amazing adventures follow--but reader, why spoil the fun? Suffice to say, Michael Chabon writes novels like the Escapist busts locks. Previous books such as The Mysteries of Pittsburgh and Wonder Boys have prose of equal shimmer and wit, and yet here he seems to have finally found a canvas big enough for his gifts. The whole enterprise seems animated by love: for his alternately deluded, damaged, and painfully sincere characters; for the quirks and curious innocence of tough-talking wartime New York; and, above all, for comics themselves, "the inspirations and lucubrations of five hundred aging boys dreaming as hard as they could." Far from negating such pleasures, the Holocaust's presence in the novel only makes them more pressing. Art, if not capable of actually fighting evil, can at least offer a gesture of defiance and hope--a way out, in other words, of a world gone completely mad. Comic-book critics, Joe notices, dwell on "the pernicious effect, on young minds, of satisfying the desire to escape. As if there could be any more noble or necessary service in life." Indeed. --Mary Park
From Booklist
Virtuoso Chabon takes intense delight in the practice of his art, and never has his joy been more palpable than in this funny and profound tale of exile, love, and magic. In his last novel, The Wonder Boys (1995), Chabon explored the shadow side of literary aspirations. Here he revels in the crass yet inventive and comforting world of comic-book superheroes, those masked men with mysterious powers who were born in the wake of the Great Depression and who carried their fans through the horrors of war with the guarantee that good always triumphs over evil. In a luxuriant narrative that is jubilant and purposeful, graceful and complex, hilarious and enrapturing, Chabon chronicles the fantastic adventures of two Jewish cousins, one American, one Czech. It's 1939 and Brooklynite Sammy Klayman dreams of making it big in the nascent world of comic books. Joseph Kavalier has never seen a comic book, but he is an accomplished artist versed in the "autoliberation" techniques of his hero, Harry Houdini. He effects a great (and surreal) escape from the Nazis, arrives in New York, and joins forces with Sammy. They rapidly create the Escapist, the first of many superheroes emblematic of their temperaments and predicaments, and attain phenomenal success. But Joe, tormented by guilt and grief for his lost family, abruptly joins the navy, abandoning Sammy, their work, and his lover, the marvelous artist and free spirit Rosa, who, unbeknownst to him, is carrying his child. As Chabon--equally adept at atmosphere, action, dialogue, and cultural commentary--whips up wildly imaginative escapades punctuated by schtick that rivals the best of Jewish comedians, he plumbs the depths of the human heart and celebrates the healing properties of escapism and the "genuine magic of art" with exuberance and wisdom. Donna Seaman
Copyright � American Library Association. All rights reserved
Review
PraisegMichael Chabon
About Wonder Boys
"Mr. Chabon is that rare thing, an intelligent lyrical writer." —The New York Times Book Review
"The young star of American letters . . . a writer not only of rare skill and wit but of self-evident and immensely appealing generosity."
—Jonathan Yardley,
The Washington Post Book World
"Wonder Boys caught me up and carried me along like some kind of flying carpet. . . . Michael Chabon keeps us wide awake and reading." —Alan Cheuse,
All Things Considered, National Public Radio
"[A] beguiling and wickedly smart novel."
—Richard Eder, Los Angeles Times Book Review
About Werewolves in Their Youth
"A loving craftsman and the author of superb, seemingly alchemically rendered sentences, Chabon has been producing pitch-perfect, at times even dazzling, fiction."
—Michael Carroll, Los Angeles Times Book Review
Most helpful customer reviews
6 of 6 people found the following review helpful.
I want to share this with all of my friends and look forward to re-reading this in the future
By Matt
Between reading this book and The Yiddish Policemen's Union, I have to say that Michael Chabon has become my favorite author of any book I've ever read. His writing is witty, very descriptive, and builds an emotional connection to the characters that I've never felt before.
Admittedly, the title of this book made me hesitate, thinking it was going to be similar to a "buddy flick" or focus on comic books too much. While comic books are a subject matter discussed heavily in the novel, it is by no means the true subject. The bond between cousins Sammy and Joe becomes palpable as the story progresses and the stories of their backgrounds, flawed characters, and their intriguing adventures makes them my favorite fictional characters I've ever encountered.
I also very much enjoyed the time period and locations of this novel. Beginning early in the 20th century when Superman was a new concept with immense popularity, the book takes us from the boroughs of New York City, through a World War that causes strain on our character's relationships, back to New York in a new era. I really felt like I got a grasp for living in the those times and loved the contrast to modern America.
I wouldn't suggest this for young readers, as there is profanity and some hetero and homosexual situations discussed which may bother some parents, but otherwise, I can't imagine anyone not enjoying this book if they give it a chance beyond the first few chapters.
10 of 10 people found the following review helpful.
One of the best books I've read in years
By Sherean Malekzadeh
I read so many glowing reviews but I hesitated to start this book because it seems to be about comic books - a subject that doesn't interest me much. So if you are hesitating because of that, or because of its length, let me put your mind at ease. Yes, comic books are a part of the book, but it's the central characters' jobs, their passions, and a device to understand World War II and larger cultural issues of the time. It turned out to be utterly fascinating and a wonderful window into the minds of young, creative souls.
OK, the length: it's long but you won't want it to end. The characters are SO WELL WRITTEN and the story so perfectly detailed that I found it easy to put the book down for a few days if necessary and come back to it - and I never felt lost or like I needed to re-read. The story was that alive.
This novel won the Pulitzer prize for fiction and it was well-deserved, in my opinion. The author's ability to create memorable characters, scenes, and places in time is wonderful - thrilling, really. He writes with enough detail to make the story live in your head but not so much that you want to skip ahead to the dialogue. (Come on, you know we've all done that!) There are many smaller stories that drive the action and an overall arc of friendship and love. It is one of the best books I've read in years.
1 of 1 people found the following review helpful.
Surprises, history, adventure, heartfelt emotions and Comic Books!
By Phred
Bottom Line First: Michael Chabon’s The Amazing Adventures of Kavalier and Clay (Paperback, Picador edition) is one of the best books I have read in years. That statement and the 5 stars insure that many review readers will never see this review. Then again the mere fact that it is a Pulitzer Prize winning novel will keep some folks from considering it. Their loss. Chabon has grasped what it is about the comic book and the pre-World War II era when the industry emblazoned its men in tights into the culture of America. The publishers tended to be a shady bunch and the artists and writers were as obscure as any collection of the nerdy, edge of society types drawn from American depression families and European political refugees. One may reasonably argue that the comic book and Jazz are coequal American Art forms. Chabon gets this notion and enrobes it in a complex, human and magical story. The Amazing Adventures is relatively discrete in it use of language, violence and sex, but the more sensitive reader may want to consider that all of these topics, plus politics are part of the story telling.
At whatever risk there are two major thoughts that will come back and drive this novel: Concentrate on what you are escaping toward, not what you are escaping from. And The Escapist cannot not fly.
Author Michael Chabon anchors the history of the comic book in a few concepts. The progenitor of Superman, the first of the super heroes in another creature of imagination, created by an earlier generation of preyed upon Jews, The Golem. Following this argument he personifies the history of this entertainment cum art form in the persons of American hustler and writer Sammy Clay and his cousin Jewish refugee artist Joe Kavalier. Sammy is just another New York Jew with a story that will be told in small reveals. He is like many Americans looking for that one break that will place him and his family beyond material want. Sammy has a complex history including training as an escape artist, magician and the first family member to escape from Hitler. Escape will be a word that will be a key to his life.
Early in the book they create their super hero the Escapist. A costumed avenger with the special mission to “perform amazing feats and coming to the aid of those who languish in tyranny's chains.” They will create more characters and in so doing tell the story of much of the rise of the comic industry.
About half way into the book this plot line wears thin. This is when the Chabon magic happens. All of publishing stops being important. The entire plot shift to the adventure of living. Cavalier, Clay and Rosa Saks the female character…
Major point: Rosa is not just the love interest or the common inspiration. She is a third figure, but a character in her own right who demands respect for her role not just as an inspiration to the main two, but as a person with her heroics and weaknesses. Rosa makes her own sacrifices and mistakes. She is second fiddle in the strictest sense, but she is a lot more.
Returning to the second half of the book. Chabon presents us with the Amazing adventures of living. There is a war to be won, but it is a personal war, not one of big battles and hand to hand fighting. There is a small technical error that has a German firing a .45 instead of a Lugar, but never mind. Mostly the heroic adventures are about raising a family, continuing after success and money and coming to terms with the guilt of surviving.
The Amazing Adventures of Kavalier and Clay is filled with asides, and deliberate diversions from the main plot. Non-issues inserted just to make you the more ready for the plot to resume. Chabon makes these techniques work. He is doing with literature what the magicians and serial comic book writers do to build suspense and fill out the panels. The magic is in the author’s ability to do in the narrative what he admires in his characters.
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