Pitmerden: Maret 2011

Minggu, 27 Maret 2011

[V662.Ebook] Get Free Ebook Drawing On the Right Side Of the Brain, by Betty Edwards

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Drawing On the Right Side Of the Brain, by Betty Edwards

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Revised edition of Betty Edwards' drawing instruction book, in large format with colour illustrations.

Sales Rank: #3221559 in Books
Brand: Brand: Tarcher
Published on: 1979-05-01
Original language: English
Number of items: 1
Dimensions: 20.00" h x 20.00" w x 20.00" l,
Binding: Paperback
207 pages

Features

Used Book in Good Condition

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105 of 110 people found the following review helpful.
Impossible to Read
By Grumpy Whiny Old Man
I ordered this book because I could not find my copy of the Revised Edition, a book that is worth reading and studying over and over. I thought so much of the book and its lessons that I decided to order the newest edition. The day before the new edition arrived I found my dog-eared, page-stained copy of Drawing on the Right Side of the Brain and revisited a couple of my favorite pages.

Today the newest edition arrived. It might be a masterpiece in it's genre, but I'll never know. The type face is so small I, literally, cannot read the side bars, and reading the body text is not much better. The amount of ink used for the impressions is minimal and adds to the difficulties. A book does no good if half of it cannot be read and the other half is difficult to read due to typeface or any other physical limits. A direct comparison of font size between the two books makes it very apparent it isn't just a grumpy whiny old man's grump of the day.

Publisher should be ashamed. If I can read the last edition with no problems I think I should be permitted to read the latest edition just as easily.

242 of 254 people found the following review helpful.
This 4th edition is a disappointment.
By Alyce Humphrey
The '89 edition is far superior to the 4th. In the 4th, the paper is thin enough to see through. Many of the drawing instructions are reproduced far too light and hard to see, much less to study. The chapter on color is GONE. Most of the interesting and informative margin notes are gone (though the space is still there), and the few that are there are in print so tiny it's not easy to read. In chapter 6, the student is advised to lift lights to create shadows, but this is not really taught until chapter 10 on lights and shadows. Why is this thrust on the student in chapter 6 when they haven't been taught it yet and may end up doing it in an incorrect way? And last, the index is incomplete, and I had to go through many pages in order to find things, since all the pages for a subject were not listed. The '89 edition is excellent.

54 of 56 people found the following review helpful.
Not bad, but also not necessary
By John Secular
Not a bad product, but if you get the items listed in the main book, you don't need to buy this. I was excited to start learning how to draw, so i bought them both at the same time. Save your money - all you need is the book.

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Jumat, 25 Maret 2011

[C331.Ebook] PDF Ebook Tapis Volant 2 - Student BookFrom THOMSON LEARNING

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Sales Rank: #6609289 in Books
Published on: 2012
Binding: Paperback
159 pages

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0 of 0 people found the following review helpful.
Review of Tapis Volant 2 by a French teacher
By N. Griffin-appadoo
Great for bright students, a challenging and rigorous textbook.

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Rabu, 23 Maret 2011

[D981.Ebook] Download You Can Negotiate Anything: The World's Best Negotiator Tells You How To Get What You Want, by Herb Cohen

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Herb Cohen believes the world is a giant negotiating table and, like it or not, you're a negotiator. Whether you're dealing with your spouse, boss, department store, bank manager, children, solicitor, or best friend - in every encounter with other people, negotiating is always taking place. And how well you handle those encounters determines whether you prosper happily or suffer frustration and loss. With his helpful and sensible approach Cohen shows that negotiating is a process you can understand and predict - and most importantly, that it's a practical skill you can learn and improve upon.

Sales Rank: #21867 in Books
Color: White
Brand: Cohen, Herb
Published on: 1982-12-01
Released on: 1982-12-01
Original language: English
Number of items: 1
Dimensions: 7.60" h x 1.40" w x 4.90" l, .26 pounds
Binding: Mass Market Paperback
256 pages

About the Author
Herb Cohen has been called "the world's best negotiator. He's internationally renowned as a corporate and governmental consultant on negotiating strategy, commercial dealings and crisis management. As a U.S. presidential advisor, he has helped to formulate policy on hostage negotiations and terrorism.

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4 of 4 people found the following review helpful.
Sources of Power!
By O. Halabieh
As the title indicates, this book is about negotiation, which the author defines as: "What is negotiation? It is the use of information and power to affect behavior within a "web of tension." If you think about this broad definition, you'll realize that you do, in fact, negotiate all the time both on your job and in your personal life." Herb then summarizes the three pillars of negotiation, the main premise of the book: "In every negotiation in which you're involved--in every negotiation in which I'm involved--in fact, in every negotiation in the world (from a diplomatic geopolitical negotiation to the purchase of a home)--three crucial elements are always present: 1. Information. The other side seems to know more about you and your needs than you know about them and their needs. 2. Time. The other side doesn't seem to be under the same kind of organizational pressure, tune constraints, and restrictive deadlines you feel you're under. 3. Power. The other side always seems to have more power and authority than you think you have."

Below are key excerpts from the book that I found particularly insightful:

1- "Within reason, you can get whatever you want if you're aware of our options, if you test your assumptions, if you take shrewdly calculated risks based on solid information, and if you believe you have power. "

2- "You have more power sources at your fingertips than you realize! 1. The power of competition...2. The power of legitimacy. Legitimacy can be questioned and challenged. Use the power of legitimacy when it's advantageous for you to do so and challenge that power when ifs advantageous for you to do so...3. The power of risk taking You must be willing to take risks while negotiating. Risk taking involves mixing courage with common sense...4. The power of commitment...By syndicating your risk you put yourself in a position to exploit the favorable opportunity because the risk is only moderate for you...5. The power of expertise...Establish your background and credentials early in he confrontation. If you do, your statements may not even t challenged. In other words, cash in on the fact that in complicated negotiations, participants often lack specialized knowledge of certain aspects of the matter being discussed...6. The power of the knowledge of "needs" for: for: 1. The specific issues and demands, which are stated openly. 2. The real needs of the other side, which are rarely verbalized...7. The power of investment...My point is this: If you have something difficult to negotiate--an emotional issue, or a concrete item that can be stated numerically, such as price, cost, interest rate, or salary-cope with it at the end of a negotiation, after the other side has made a hefty expenditure of energy and a substantial time investment...8. The power of rewarding or punishing...If I'm aware of your perceptions and needs, and if I know you think I have power over you, I can control your behavior...9. The power of identification...You will maximize your negotiating ability if you get others to identify with you...10. The power of morality...11. The power of precedent...12. The power of persistence...Persistence is to power what carbon is to steel. By gnawing through a dike long enough even a rat can drown a nation. Most people aren't persistent enough when negotiating...13. The power of persuasive capacity...even if you present me with overwhelming evidence that I understand, should the conclusion depress me, I will remain unconvinced. Your facts and logic may be unassailable, but their acceptance will not meet my existing needs and desires...14. The power of attitude...Try to regard all encounters and situations, including your job, as a game, as the world of illusion. Pull back a little and enjoy it all."

3- "1. Since most concession behavior and settlements will occur at or even beyond the deadline, be patient. True strength often calls for the ability to sustain the tension without flight or fight. Learn to keep your automatic defense responses under control. Remain calm but keep alert for the favorable moment to act. As a general rule, patience pays. It may be that the thing 5 do, when you do not know what to do, is to do nothing. 2. In an adversary negotiation your best strategy is not to reveal your real deadline to the other side. Always keep in mind that since deadlines are the product of a negotiation they are more flexible than most people realize. the benefits and detriments that will ensue as you approach, or go beyond, the brink.3. The "other side," cool and serene as they may appear. always have a deadline. Most often, the tranquility they display outwardly masks a great deal of stress and pressure. 4. Precipitous action should be taken only when ifs guaranteed to be to your advantage. Generally speaking you cannot achieve the best outcome quickly; you can achieve it only slowly and perseveringly. Very often as you approach the deadline a shift of power will occur, presenting a creative solution or even a turnaround by the other side. The people may not change, but with the passage of tune, circumstances do."

4- "Watch the increments of concession behavior, since they send a strong message about the real limits of authority."

5- "A negotiation is more than an exchange of material obj� It is a way of acting and behaving that can develop understanding, belief, acceptance, respect, and trust. It is the manner of your approach, the tone of your voice, the attitude you convey, the methods you use, and the concern you exhibit for the other side's feelings and needs. All these things comprise the process of negotiation. Hence, the way you go about trying to obtain your objective may in and of itself meet some of the other party's needs."

6- "Let me now elaborate on how the negotiating process and reconciling opponent's needs can be used to bring about collaborative Win-Wm outcomes: I. Using the process to meet needs 2. Harmonizing or reconciling needs...In general, the reason we are at odds on an issue may stem from three areas of difference: 1. Experience 2. Information 3. Role...3. Role...Successful collaborative negotiation lies in finding out what the other side really wants and showing them a way to get it, while you get what you want."

7- "Accomplishing mutual satisfaction using the collaborative Win-Win style involves emphasis on three important activities: 1. Building trust 2. Gaining commitment 3. Managing opposition."

8- "How can you ensure that you do not make visceral opponents? My two rules are stated in terse negative terms: 1. Never forget the power of your attitude 2. Never judge the actions and motives of others."

9- "Much like a great chess master, a winning negotiator needs to know every possible strategy from the opening gambit to the end-game play. Then he can enter the event with confidence that he is prepared for every possible eventuality that might occur. Nonetheless, he strives for the best outcome that can give everyone what he wants. And he knows that compromise may be acceptable, but it's not mutually satisfying. It is a back-up, a concluding strategy that he may ultimately have to use to avoid the consequence of a deadlock."

10- "Characteristics of Phone Negotiations: 1. More misunderstanding 2. Easier to say no 3. Much quicker 4. More competitive 5. Greater risk 6. Advantage--caller...The following are some suggestions that can be effortlessly customized to help you achieve success: 1. Be the caller/ not the callee 2. Plan and prepare 3. A graceful exit 4. Discipline yourself to listen 5. Write the memorandum of agreement."

11- "To maximize your impact as a negotiator-- no matter whom you are dealing with--you must personalize both yourself and the situation...Try not to negotiate on behalf of an institution or organization, no matter how large or small. Negotiate on behalf of yourself, representing the institution."

10 of 10 people found the following review helpful.
Old and not that good.
By Travis Zee
This book is very old and dated. It also has some pretty shaky advice like telling you to put a dent in the product you are trying to buy so you can get a discount. It also tells you to waste a bunch of the salesperson's time to try to get them to give you a deal. I had to force myself to finish the book because it just wasn't very good (and that is saying a lot because on average I read about 150 pages a day). At least it was cheap. I'm giving it a 2 star review because it wasn't horrible (which would be a 1 star review) but it wasn't even close to average. I would not read this book again and would not recommend it to anyone; might give it to the library.

3 of 3 people found the following review helpful.
Examples showing up the book's age
By Richard
Fundamentally I guess negotiations dont change, Time, Information, Power - the subject he talks about are still relevant. Most of the examples seem dated though, Carter and Nixon are talked about a lot, along with Soviet style negotiation.

More importantly today's consumers have a wealth of information on the internet so his example of people buying a fridge spending a lot of time researching prices at other shops seems a bit obsolete.

Finally I don't like a lot of his attitude. He's surprised that people check out on time - "just because some little sign says so". He suggests spending multiple hours and visits with a salesman so that he's invested and you can wrangle a few more bucks off the price. really?

So its worth a quick read if you can pick it up second hand for next to nothing. Its not worth the $7 I paid.

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Minggu, 20 Maret 2011

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Sales Rank: #5377102 in Books
Published on: 2005-12-22
Binding: Hardcover

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Sabtu, 12 Maret 2011

[Q425.Ebook] Download PDF White Line Fever: The Autobiography, by Lemmy Kilmister

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One of music's most notorious frontmen leads a headbanging, voyeuristic odyssey into sex, drugs, and rock 'n' roll that rivals Motley Crue's The Dirt and Aerosmith's Walk This Way. He made Keith Richards look like a choirboy and Mick Jagger look like a nun. And as the head of the legendary band Motorhead, he ploughed his way through so many drugs, so many women, and so much alcohol, that he gave a whole new meaning to the term Debauchery. And he changed the face of music, conquering the rock world with such songs as Ace of Spades, Bomber, and Overkill and inventing a whole new form of music--speed metal. At the age of 57, Lemmy Kilmister remains a rock icon, both for his monumental talent and his hedonistic lifestyle. In White Line Fever, he recounts his incredible, pleasure-filled, and death-defying journey through music history. Born on Christmas Eve, 1945, in Wales, to a vicar and a librarian, Ian Fraser Kilmister learned early, he as he forthrightly puts it, what an incredible pussy magnet guitars were. A teenager at the birth of rock 'n' roll, Lemmy idolized Elvis and Buddy Holly and soon joined a band of his own. He would eventually head to London, where he became a roadie for Jimi Hendrix, played in Opal Butterfly, and joined space rockers Hawkwind's lineup in 1971. Four years later, speedfreak Lemmy was fired from the band for doing the wrong drugs. Vowing to form the dirtiest rock 'n' roll band in the world, he formed Motorhead, arguably the heaviest and loudest heavy metal band to ever take the stage. During their twenty-seven-year history, Motorhead would go on to release twenty-one albums, including the #1 record No Sleep 'Til Hammersmith and would earn a Grammynomination. Lemmy would also cheat death on more than one occasion, most notoriously in 1980, when his doctor told him, I cannot give you a blood transfusion because normal blood will kill you...and your blood would kill another human being, because you're so toxic. But through more than two decades of notorious excess, Lemmy has lived to tell the warts-and-all tale of a life lived over the edge. White Line Fever, a tour of overindulgence, metal, and the search for musical integrity, offers a sometimes hilarious, often outrageous, and always unbridled ride with the leader of the loudest rock band in the world."

Sales Rank: #101067 in Books
Published on: 2004-01-01
Released on: 2004-01-01
Original language: English
Number of items: 1
Dimensions: 9.00" h x .90" w x 6.00" l, .95 pounds
Binding: Paperback
320 pages

About the Author
Born Ian Fraser Kilmister in Stoke-on-Trent in 1945, Lemmy formed Motorhead in 1975. Fronting the band through the highs and lows of superstardom, Lemmy has recorded twenty albums with Motorhead who remain at the top of their profession after twenty-seven years.

JANISS GARZA has been writing about very loud rock since 1987. She has written for RIP, The Los Angeles Times, Entertainment Weekly, and The New York Times.

Most helpful customer reviews

1 of 1 people found the following review helpful.
For Motorhead lovers
By djlmom62
If you're a Lemmy fan this is the book for you. I bought this as a gift for my husband after he saw an interview with Lemmy and wanted to know more. He read this in a couple of days -- the only down side is that now I've got to listen to Motorhead music constantly and I'm not a fan!

0 of 0 people found the following review helpful.
I came away knowing that he was very intelligent, not just street smart
By lisa green
OMG!!

Lemmy suprised me with how well spoken and written this book was. I guess I expected random touring stories and what not but not so. I felt I got to know the man behind MotorHead.

I came away knowing that he was very intelligent, not just street smart. Made me love him all the more.

1 of 1 people found the following review helpful.
One of the better rock star autobiographies I've read lately
By Mark
One of the better rock star autobiographies I've read lately. Lemmy has a sense of humor and this book flows nicely.

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[O247.Ebook] PDF Download Psychological Aspects of Reconstructive and Cosmetic Plastic Surgery: Clinical, Empirical, and Ethical Perspectives, by Sarwer

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Sales Rank: #5766916 in Books
Published on: 2006
Binding: Hardcover
338 pages

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[Q880.Ebook] Free Ebook Hamiltonian and Lagrangian Dynamics: Volume 2, by James Curry

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Hamiltonian and Lagrangian Dynamics is useful for solving difficult mechanics problems, and is critical for understanding Quantum Mechanics and Quantum Field Theory. The present text is unique for its emphasis on geometric reasoning and intuition, and for its accessibility. Volume 1 is primarily mathematical, covering Linear and Abstract Algebra, Functional Analysis and Differential Geometry, and Volume 2 is primarily devoted to physics, beginning with a serious approach to Newtonian physics, then Hamiltonian and Lagrangian Dynamics, including classical field theory, the basis of Quantum Field theory. This book is intended to be used by physics undergraduates who have just finished the Calculus sequence and by physics graduate students. Beginning mathematics students will also find it useful, for introducing some modern mathematics in a way that is accessible, and then showing some of its many uses. Engineering students may also be interested in this book.

Sales Rank: #1626763 in Books
Published on: 2013-11-02
Original language: English
Dimensions: 11.00" h x .93" w x 8.50" l, 2.10 pounds
Binding: Paperback
412 pages

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9 of 9 people found the following review helpful.
Undiscovered Gem Too Narrowly Titled
By Let's Compare Options Preptorial
This amazing two volume series of advanced mathematics represents over 700 pages of state of the art math with applications in physics, engineering and dynamical systems in general, as well as numerous advanced dynamics topics for math track students.

The book is mis-titled as Hamiltonians and Lagrangians, because although it has some of the best and most up to date coverage of those areas, it contains FAR MORE "math for dynamics" (including physics and engineering) in "leading up" to the very thorough, accurate and up to date Hamiltonian and Lagrangian topics. As an example, the first volume starts at basic linear algebra and calc, and leads all the way up to manifolds, projective geometry and kinematics.

The other "mis-title" aspect is the quality of the instruction. This is subtle. When you read the current title, you might assume this is a densely packed set of tomes on formula after formula with proofs and derivations fit only for graduate physicists or mathematicians. Instead, the two texts contain some of the best pure TEACHING of ANY math book I've reviewed or used for my online dynamics classes. Curry takes a "geometric" approach, taking the time and space to explain in words, formulas AND pictures, the point of higher math applications.

Even better, the author has a genuinely deep intuitive grasp of what's "really going on" with vectors. He uses this understanding as a "theme" for both texts, which gives readers a one of a kind feel for ALL advanced math through that frame. Even the toughest problems and examples hearken back to "Why isn't this like the vectors we've studied?" and "How does looking at this from the point of view of a vector or matrix allow us to manipulate the coordinate axes more easily?" By then augmenting those insights and intuitive benefits geometrically, the books are PACKED with "aha" moments even for advanced engineering, math and physics students and teachers.

Even though this is a CreateSpace title, which can vary in quality, the texts are of extremely high quality and the author didn't skimp on any details. The paper is thick, allowing copious notes and highlighting without bleeds, and the texts are large, with plenty of room for margin marking and your own callouts for the copious illustrations.

The material is intended for undergrad up, but bright AP High School students can gain a lot from the orientation chapters. I NEVER recommend too advanced work if it is too tough (and Hamiltonians are tough, as the Swiss Army Knife of nearly all of Physics today), but the author clearly had autodidacts and engineering/ physics types like me in mind in including as much intuitive and geometric material as he does.

Dynamics teachers use four "channels" for different types of problems-- analytic, qualitative, numeric and stochastic. Analytic are formulas, qualitative are geometric and graphic, numeric are algorithmic starting with "seed" guesses, and stochastic, the newest member of the family, are mostly research applications where combinatorics get so hairy they are handled as random or chaotic. (Even some oscillators like pendulums are nonlinear because they have a sin function, or when they "loop over" the top of the pendulum when enough force is applied. How much? That's where they become nonlinear!).

We didn't learn a lot of this in EE school, but dynamics (especially ordinary differential equations) abound in circuits, and EEs are gradually warming to Hamiltonians. This is a GREAT place for catch up it that's you! By the way, the four channels aren't just for learning, they also are "required" by the problem design itself, because some problems, especially things like higher N bodies, nonlinear, etc. just CANNOT be solved with formulas. Where the PDE or ODE is "understood" however, Hamiltonians, Lagrangians, Fouriers, etc. can give a "pseudo" linear look that can then be intuitively solved, or at least, as we engineers would say, get "close enough!"

Highly recommended series. One of the few I'd recommend buying on your own even if not required for a class, and certainly for self study. It will fill in a LOT of gaps in really "getting" what's hidden in those cryptic proofs and far too brief (1.3.27) type formula statements! Frankly, geometry rocks, and this is one of the few authors that really gets it, and takes the time to show us with concern for his readers. Handholding abounds-- not something you can say with many texts today! Takes a special writer to avoid "showing off" -- this is a true teacher who cares about his readers' grasp of the material from many perspectives.

0 of 1 people found the following review helpful.
Five Stars
By Jonathan R. Grimm
Excellent, comprehensive coverage of the subject with excellent supplementation of essential mathematics. Fonts are just fine.

3 of 8 people found the following review helpful.
Terrible book on Hamiltonian mechanics......
By Nicholas E. Davis
Pretty poorly written book on Hamiltonian equations as well as Lagrangian mechanics.....Even the type seemed skewed in some areas...somewhat pixelated and blurry in some parts...especially when noting formulas....the print was very poorly done....
I will say that it had quite an extensive review on the basics of Newtonian Physics: torque, force incline, Conservation of Energy problems, etc.....However, most of the book scarcely covered Hamiltonians, and that was the primary reason why I purchased the book in the first place....Use this to supplement your coursework....Good for a quick review, but...other than that...you shouldn't bother spending a huge amount of time on this book....

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Selasa, 08 Maret 2011

[X233.Ebook] Fee Download Oxford Dictionary of English Etymology, by Oxford

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The lexicographical labours of Dr C.T. Onions began when he joined the staff of the "Oxford English Dictionary" in 1895. Now his life work is crowned with a new etymological dictionary, embodying recent research on the etymology of English and of the other languages concerned. Each word is accompanied by its pronunciation, its present-day meaning, the date of its first record in English and the chronology of the development of its senses and its earliest form in written English. This is the most complete and most reliable etymological dictionary of the English language ever published. There are some 24,000 main entries, and with the derivatives, the total number of words treated is more than 38,000.

Sales Rank: #2381572 in Books
Binding: Hardcover

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[N819.Ebook] PDF Ebook IT Service Management using ITIL and UML: A guide to ITIL V3, 2011 Edition on Foundation Level and beyond, by Lars Dibbern

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Sales Rank: #3319969 in Books
Published on: 2014-11-17
Original language: English
Number of items: 1
Dimensions: 10.00" h x .96" w x 8.00" l, .0 pounds
Binding: Paperback
426 pages

About the Author
Lars Dibbern, born in 1966 in Kiel, Germany, looks back on more than 22 years of job experience in many fields of IT. These fields reach from programming and software architecture to requirements management, business analysis and IT infrastructure engineering. Today, Lars runs his own engineering office in Frankfurt, Germany, where he provides project management and analyst services. The only constant in Lars professional career is his constant refusal to narrow his view on a certain specialized area of information technology.

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1 of 1 people found the following review helpful.
Five Stars
By Scott B.
Excellent book. Easy to understand.

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IT Service Management using ITIL and UML: A guide to ITIL V3, 2011 Edition on Foundation Level and beyond, by Lars Dibbern PDF
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Sabtu, 05 Maret 2011

[X462.Ebook] PDF Download The Hero with a Thousand Faces (The Collected Works of Joseph Campbell), by Joseph Campbell

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Since its release in 1949, The Hero with a Thousand Faces has influenced millions of readers by combining the insights of modern psychology with Joseph Campbell’s revolutionary understanding of comparative mythology. In these pages, Campbell outlines the Hero’s Journey, a universal motif of adventure and transformation that runs through virtually all of the world’s mythic traditions. He also explores the Cosmogonic Cycle, the mythic pattern of world creation and destruction.

As part of the Joseph Campbell Foundation’s Collected Works of Joseph Campbell, this third edition features expanded illustrations, a comprehensive bibliography, and more accessible sidebars.

As relevant today as when it was first published, The Hero with a Thousand Faces continues to find new audiences in fields ranging from religion and anthropology to literature and film studies. The book has also profoundly influenced creative artists—including authors, songwriters, game designers, and filmmakers—and continues to inspire all those interested in the inherent human need to tell stories.

Sales Rank: #2009 in Books
Brand: Campbell, Joseph
Published on: 2008-07-28
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 8.75" h x 6.00" w x 1.00" l, 1.39 pounds
Binding: Hardcover
432 pages

Amazon.com Review
Originally written by Campbell in the '40s-- in his pre-Bill Moyers days -- and famous as George Lucas' inspiration for "Star Wars," this book will likewise inspire any writer or reader in its well considered assertion that while all stories have already been told, this is *not* a bad thing, since the *retelling* is still necessary. And while our own life's journey must always be ended alone, the travel is undertaken in the company not only of immediate loved ones and primal passion, but of the heroes and heroines -- and myth-cycles -- that have preceded us.

Review
“I have returned to no other book more often since leaving college than this one, and every time I discover new insight into the human journey. Every generation will find in Hero wisdom for the ages.”
— Bill Moyers

“In the three decades since I discovered The Hero with a Thousand Faces, it has continued to fascinate and inspire me. Joseph Campbell peers through centuries and shows us that we are all connected by a basic need to hear stories and understand ourselves. As a book, it is wonderful to read; as illumination into the human condition, it is a revelation.”
— George Lucas

“Campbell’s words carry extraordinary weight, not only among scholars but among a wide range of other people who find his search down mythological pathways relevant to their lives today....The book for which he is most famous, The Hero with a Thousand Faces [is] a brilliant examination, through ancient hero myths, of man’s eternal struggle for identity.”
— Time

“In the long run, the most influential book of the twentieth century may turn out to be Joseph Campbell’s The Hero with a Thousand Faces.”
— Christopher Vogler

From the Inside Flap
"I have returned to no book more often since leaving college than this one, and every time I discover new insight into the human journey. Every generation will find in Hero wisdom for the ages."--Bill Moyers, host of the PBS special 'The Power of Myth'

"In the three decades since I discovered The Hero with a Thousand Faces, it has continued to fascinate and inspire me. Joseph Campbell peers through centuries and shows us that we are all connected by a basic need to hear stories and understand ourselves. As a book, it is wonderful to read; as illumination into the human condition, it is a revelation."--George Lucas, filmmaker, creator of the movie 'Star Wars'

Most helpful customer reviews

5 of 5 people found the following review helpful.
A Treasure!
By Robert Wright, Jr., Ph.D., COFT
This book is for the serious reader who is looking to learn more about the origins and power of myths in their historical context and how timeless symbols including archetypes are being "rediscovered" from a psychological perspective. For the uninitiated, this is an eye opening book in that Joseph Campbell is able to demonstrate in a masterful way how many of "the patterns and logic of fairy tale and myth correspond to those of dream, [and how] the long discredited chimeras of archaic man have returned dramatically to the foreground of modern consciousness" [page 255].

If you are a curious individual or student of history, then you'll find The Hero With A Thousand Faces to be a fascinating read as the author probes deeply into the origins and significance of mythology from epistemological, ontological, psychological, and teleological perspectives. Whether you are a student of the ancient Egyptians, ancient Greeks, Sigmund Freud, Carl Jung, Karl Abraham or others, you're sure to find a wealth of valuable information and "perspective" in this book.

A happy outcome is that by reading this book you may glean a glimpse of your own heroes journey. That fact is worth the price of the book alone. It also makes a great gift for anyone who enjoys being reflective and is not fearful of diving into their own psyche and what they might find.

Robert "Bob" Wright, Jr., Ph.D., COFT

8 of 9 people found the following review helpful.
An in-depth exploration of what makes a hero through the lens of myth
By A. H. Wagner
If, like me, you’ve heard the term “hero’s journey” but didn’t really know what it was all about, this, The Hero with a Thousand Faces, is the definitive book by comparative mythologist Joseph Campbell. Although it’s by no means an easy read, it is well worth the investment of time and study if you want to learn the expanded definition of a hero according to a general consensus of world cultures.

First, it’s important to recognize that the hero’s journey belongs to the greater fabric of mythology. In the book’s prologue, Campbell states without reservation that myth is the basic expression of all human culture: “It would not be too much to say that myth is the secret opening through which the inexhaustible energies of the cosmos pour into the human cultural manifestation. Religions, philosophies, arts, the social forms of primitive and historic man, prime discoveries in science and technology, the very dreams that blister sleep, boil up from the basic, magic ring of myth.” With these words, Campbell gives the reader fair warning that this book is not a mere collection of fairy tales, nor is it an attempt to contain mythology as a separate discipline. Myth, according to the author, touches every part of the human experience. It is not meant to be contained.

The Hero with a Thousand Faces, therefore, is Campbell’s exploration of just one aspect of myth, the hero’s journey. In this “composite adventure,” as he calls it, the author relates “the tales of a number of the world’s symbolic carriers of the destiny of Everyman.” Even focusing on just one aspect of myth is a heavy undertaking, and Campbell acknowledges that he is only describing “a few striking examples from a number of widely scattered, representative traditions” to illustrate the common elements of the hero’s journey appearing in many cultures around the world. Part I, “The Adventure of the Hero,” delineates the hero’s journey in three basic phases: Departure, Initiation, and Return. Part 2, “The Cosmogonic Cycle,” explores myths about the world’s creation and destruction, a macrocosm of the hero’s journey.

Considering the extraordinary scope of material at hand, Campbell offers readers a well-curated overview of various traditional depictions of the quintessential hero. Some of the heroes described in the book are well-known cultural and religious icons, including Jesus, Buddha, Krishna, Perseus, and Osiris. Many others, such as the Pueblo Water Jar Boy (one of the oddest and most humorous stories in my opinion), may be unfamiliar to readers.

This book is not only informative for mythology students and enthusiasts, but also very helpful for fiction writers. If you can understand what cultures all over the world have lauded as a hero for thousands of years, you can infuse your protagonist with some or all of these qualities and create an engaging story that touches on the deepest longings and fears of the human experience.

Note: If you've never read Joseph Campbell before, I recommend starting with The Power of Myth, based on a 1988 PBS miniseries in which Bill Moyers and Joseph Campbell discuss applications of mythology to contemporary life. Because the text of the book is drawn from these Moyers' interviews with Campbell, reading it is like listening in on a conversation between friends, and it's a great way to ease into Campbell's work.

29 of 32 people found the following review helpful.
Essential Reading For Writers And Those Who Want To Know Stuff
By Mary A. Madsen
Really? I have to say why I like this book and think it deserves five stars? Campbell spent a lifetime focused on mythology and shares his insights in language the rest of us can understand. This is the book that helped us awaken to our hard-wiring for story and how those stories are told. This is the book other how-to books are based on. This is the third time I've bought this book because someone either borrows it and doesn't return it, or I read the pages thin.

Highly recommended for anybody setting out on their own journey as a storyteller, those interested in mythology and comparative religion, and those curious about how the human condition expresses itself.

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Jumat, 04 Maret 2011

[G553.Ebook] Free Ebook Art History Portables Book 2 (5th Edition), by Marilyn Stokstad, Michael Cothren

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The most student-friendly, contextual, and inclusive survey is now personalized, digital, and mobile for today’s students.

Art History 5th edition continues to balance formal analysis with contextual art history in order to engage a diverse student audience. Authors Marilyn Stokstad and Michael Cothren- both scholars as well as teachers- share a common vision that survey courses should be filled with as much enjoyment as learning, and that they should foster an enthusiastic, as well as an educated, public for the visual arts.

This revision is the strongest and most comprehensive learning program for measuring student progress and improving student success in attaining the outcomes and goals of the art history survey course. Not only does the text address four overarching goals of the survey course, the new MyArtsLab further develops and reinforces these outcomes and skills with market-leading learning tools such as personalized study plans for each student and multimedia assets geared towards addressing different learning styles and abilities, such as chapter audio, student videos, Closer Looks, architectural panoramas and much more. The end result is a complete learning program designed to increase students’ success with a personalized, digital and a highly mobile learning experience.

A better teaching and learning experience

This program will provide a better teaching and learning experience–for you and your students. Here’s how:

Personalize Learning – MyArtsLab is an online homework, tutorial, and assessment program. It helps students prepare for class and instructors gauge individual and class performance.
Go Digital — Pearson Custom eText provides instructors and students with a whole new online customizable learning experience.
Go Mobile — Make learning easy and convenient with our on-the-go eTexts and key learning applications.
Improve Critical Thinking — Key Learning Outcomes encourage students to think critically about visual arts as part of the larger world.
Engage Students — Updated scholarship, MyArtsLab, and the readability of the text provide a wonderful engaging student experience.
Support Instructors — With a wealth of online resources, instructors have videos, images, and teaching support materials to create a dynamic, engaging course.

NOTE: MyArtsLab does not come automatically packaged with this text.

If you want just Art History Portable Book 2 with MyArtsLab order the ISBN below:

0205949339 / 9780205949335 Art History, Portable Book 2 Plus NEW MyArtsLab with eText -- Access Card Package

Package consists of:

0205206565 / 9780205206568 NEW MyArtsLab with Pearson eText -- Valuepack Access Card

0205873774 / 9780205873777 Art History Portable Book 2

If you want the complete Art History with MyArtsLab order the ISBN below:

0205949487 / 9780205949489 Art History Plus NEW MyArtsLab with eText -- Access Card Package

Package consists of:

0205206565 / 9780205206568 NEW MyArtsLab with Pearson eText -- Valuepack Access Card

0205873472 / 9780205873470 Art History

Sales Rank: #80765 in Books
Published on: 2013-01-18
Original language: English
Number of items: 1
Dimensions: 10.90" h x .60" w x 9.00" l, .0 pounds
Binding: Paperback
240 pages

Features

clean not yet used

Review

“An excellent resource accessible to first-year and other students, but full of information to keep all readers interested through excellent writing and examples. It is beautifully illustrated and the electronic support is superb.”

- William Ganis, Wells College

“Thorough, thought-provoking...Excellent imagery and great plans and photos of architecture.”

- Elizabeth Olton, The University of Texas at San Antonio

“Stokstad/Cothren offers students access to knowledge about global art and its historical contexts while presenting information in a manner that will entice students to actually want to learn more.”

- Eleanor Moseman, Colorado State University

“Comprehensive. Intelligent, yet accessible for students. Provides strong historical and geographical context and framework for the students, as well as detailed analyses of works of art from cultures around the globe.”

- Deborah Haynes, University of Colorado, Boulder

“Good historical overview, good quality images (including those available for us digitally – thank you), excellent digital resources.”

- Denise Budd, Bergen Community College

About the Author

Marilyn Stokstad, teacher, art historian, and museum curator, has been a leader in her field for decades and has served as president of the College Art Association and the International Center of Medieval Art. In 2002, she was awarded the lifetime achievement award from the National Women’s Caucus for Art. In 1997, she was awarded the Governor’s Arts Award as Kansas Art Educator of the Year and an honorary degree of doctor of humane letters by Carleton College. She is Judith Harris Murphy Distinguished Professor Emerita at the University of Kansas, Lawrence. She has also served in various leadership capacities at the University’s Spencer Museum of Art and is Consultative Curator of Medieval Art at the Nelson-Atkins Museum of Art in Kansas City, Missouri

Michael W. Cothren is Scheuer Family Professor of Humanities and Chair of the Department of Art at Swarthmore College, where he has also served as Coordinator of Medieval Studies and Chair of the Humanities Division. Since arriving at Swarthmore in 1978, he has taught specialized courses on Medieval, Roman, and Islamic art and architecture, as well as seminars on visual narrative and on theory and method, but he particularly enjoys teaching the survey to Swarthmore beginners. His research and publications focus on French Gothic art and architecture, most recently in a book on the stained glass of Beauvais Cathedral entitled Picturing the Celestial City. Michael is a consultative curator at the Glencairn Museum in Bryn Athyn, Pennsylvania. He has served on the board of the International Center of Medieval Art and as President both of the American Committee of the International Corpus Vitrearum and of his local school board. When not teaching, writing, or pursuing art historical research, you can find him hiking in the red rocks around Sedona, Arizona.

Most helpful customer reviews

2 of 2 people found the following review helpful.
just what it sounds like, but i wish it would lay out some ...
By Kristin Isaacson
just what it sounds like, but i wish it would lay out some of the distinct characteristics of the art in the chapters by time-period, I also wish it would have a vocabulary list at the end of the chapter, which vocabulary is not really very full. it is missing terms. I wish it would section off the each chapter under bolded or underlined sections according to painting, and it does not have a lot of paintings in it. it feels more like a shortened version of a bigger book. it doesn't seem to describe or explain the paintings symbols or styles very much, it mostly just explains the context in which the painting was given and the art theory. I really thought that art history was looking at the art in it's context with the composition, yes, but also what was going on in the picture, why some things are the way they are, what philosophy related to what parts of the paintings. Analysis is a big part of any art history class, a part which i thoroughly enjoy, and just some of the history is in there and some descriptions of the paintings, the painters, but not in much detail even. i would rather have a bigger book than not enough detail. This is from a student who has to read the book for class, but i've found i can pass the class just fine without the book.

1 of 1 people found the following review helpful.
Thorough and Readable (but expensive)
By Stephanie
This textbook was required by a class and panicked when I saw the prices for buying it. Being able to rent it cut the price to a third and made it affordable. Had I realized the quality of the info and the readability of the text, I might have considered continuing the search for a cheaper used copy to purchase, rather than rent. $60 for a rental is a lot and most textbooks I've found are not worth that. This one would be worth buying for that price (but not the almost $300 a new one goes for). Because mine was used, it did not include the MyArtsLab disk. I could have purchased it for $100, but after discussing it with my professor, decided to take the risk that I might not have access to some info and risk a lower grade. She didn't think it would cost me more than a letter grade. She was right. I was able to use what was in the book to learn the material and write the thorough critiques/comparisons she expected for class.I had to do some small amount of Internet searching for the extra insights needed for some of the assignments, but I was able to easily find what I needed in the book, without the expensive "publisher's content" available with the MyArtsLab purchase. (I made an A!)

2 of 2 people found the following review helpful.
Great book
By Jessica Sandoval
Rented this textbook for my art history class in undergrad. The book starts of with basic art terms (called starter kit) which is great if you have no idea what kind of terminology art uses. The book then goes on to give an introduction of art and art history which is also nice. This book had a lot of useful information and really went in depth on each topic. There were also questions at the end of the chapter that you can answer. You can also get the MyArtsLab if you want take a closer look at the artwork (I didn't get it.. It's optional). Overall, It was a great read on the history of art.

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